GetLife Crew — DJs and Camera Operators | GetLife Records

The Crew.

Clippers work from footage. You make it.

DJs and camera operators are the two roles the music business forgets and then quietly runs on. This is the door in.

Two tracks

🎧 DJ

You get the GetLife DJ Pool — clean edits, acapellas and instrumentals from the catalogue, BPM and key tagged, cleared for your sets. Official GetLife DJ credit. Your sets pushed through the label's network.

What we ask back: when a GetLife record drops in your set, film the room. Thirty seconds of a crowd reacting is worth more than any advert we could buy.

🎥 Camera

You are already at the show. Get access, an on-record credit, and a licence to use everything you shoot in your own reel — you keep your work, always.

What we ask back: the raw moments. Crowd, hands, the drop, the walk-off.

How crew get paid — and how it differs from clippers

Clippers earn per 1,000 verified views. That is a bet on reach.

Crew earn fixed credits per verified asset delivered. You either filmed it or you did not — so you are not gambling on someone else's algorithm.

Straight about credits: credits are the label's internal unit. They convert to cash when campaign cash rates are announced, and they already redeem against real things — catalogue access, studio time, merch and label services. We are not going to tell you a rate that does not exist yet.

Where this goes next

DJs who build real numbers with the pool move to original mixes released through GetLife — your production, our catalogue, distributed worldwide, and you earn on the plays. That is a signing, not a favour.

That rung opens by invitation once the work is on the table. Start here.

Apply to the crew

Every application is read. No follower minimums.